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Unearthing the Music
Footnotes to Sonic Resistance in
Non-democratic Europe (1950-2000)
Alexander Pehlemann/Rui Pedro Dâmaso/Lucia Udvardyova

624 pp.
numerous b/w images
softcover

Leipzig March, 2025
ISBN: 9783959055406

Width: 15 cm
Length: 23 cm

Language(s): English

Editor
Alexander Pehlemann, OUT.RA – Associação Cultural, Rui Pedro Dâmaso, Lucia Udvardyova

Designer
José Mendes

Unearthing the Music. Footnotes on Sonic Resistance in Non-democratic Europe 1950–2000 is the final piece of an international project initiated in Portugal, which has established an online archive for experimental underground and protest sounds. This archive encompasses both the "real socialism" of Eastern Europe and the often-overlooked regimes of Spain, Portugal, and the Greek military dictatorship.

The book presents key aspects of this spectrum: the relationship with the state, the desire for escape, the power of counter-communities, but also the disappointments that followed liberation. It covers topics such as jazz in Poland and the GDR, conceptual post-punk in Yugoslavia, state-run electronic music studios, Roentgenizdat and Magnetizdat productions, women in subcultures, Romanian avant-garde, Iberian punk, and the Ukrainian underground. A journey of discovery, enriched with numerous photos for deeper exploration.

Rui Pedro Dâmaso is a music and sound curator based in Barreiro, Portugal. He is the author and director of the Unearthing the Music project and co-founder and head of the group OUT.RA, which organizes music and film festivals as well as archival projects.
Alexander Pehlemann, a self-proclaimed "provincial punk," is an art historian, curator, compiler, sub-label operator, author, DJ, dub mixer, and editor. He collaborates with Kulturny Dom Lipsk / Salon Similde and promotes New Sorbian Art.
Lucia Udvardyova is a music journalist, curator, organizer, and musician. She co-founded Easterndaze, a project dedicated to emerging underground scenes in Central and Eastern Europe, as well as the tape label Baba Vanga. She works for the pan-European audiovisual platform SHAPE and serves as a film curator at WOMEX.

Contributions by: Chris Bohn, Daniel Muzyczuk, Ivo Pospisil, Jelena Petrovic, Juraj Duris, Ksenija Stevanovic, Mara Traumane, Paula Guerra & Ana Oliveira, Pavla Jonssonova, Rui Eduardo Paes, Sergio Blardony, Stephen Coates, Zoran Pantelic, Wolf Kampmann, Hannelore Fobo, Octav Avramescu, Chris Cutler, Alexander Pehlemann, Trever Hagen, Yuriy Gurzhy, José Mendes.

Reviews

Unearthing the Music. Footnotes to Sonic Resistance in Non-democratic Europe (1950–2000)
Unearthing the Music. Footnotes to Sonic Resistance in Non-democratic Europe (1950–2000)" is a heavy book in every sense, more than six hundred pages that read like an atlas of sound carved out of repression. It is the final piece of a long project that began in Portugal as an online archive of underground and protest music, and here the archive breathes in print, full of stories, interviews, photographs, and testimonies that show how sound slipped through cracks in the walls of censorship. What makes it compelling is not just its encyclopedic scope, though that is impressive, but the way it captures the contradictions of resistance: music as escape and defiance, but also as compromise, disappointment, and the awkward hangover of liberation.

In the end the book feels like what it promises: a set of footnotes. But they are footnotes that sing, scream, and sometimes weep. They remind us that culture under pressure does not simply vanish; it mutates, it hides, it improvises new channels. And if history often forgets these sounds, "Unearthing the Music" digs them back up, dusty but alive, proof that even in silence someone was always making noise.

The Wire
As an editorial object, the book acknowledges the partiality of its sources. Official archives are scarce and, when they do appear, they are framed by authority. Instead, the project relies on oral testimony, ephemera, and circulating artefacts to counter dominant narratives. What emerges is not a seamless history but a usable one: in the editors’ words, these are the footnotes to sonic resistance. Taken together, they form a persuasive archaeology of political sound.
Xenia Benivolski

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