In The Dragonfly’s Eye, 92-year-old author and filmmaker Alexander Kluge tests out the cooperative capacities of the Stable Diffusion model, which uses AI to process images. As a film-maker, he has many years of experience in dealing with the camera and its ways of seeing, which are unlike how a person sees. As a result, he is particularly curious about the different images that AI can generate.
Kluge’s essay in the book reflects on the idiosyncrasies of these new types of images, in which chance factors and errors create subjunctive forms, resulting in open images that are hard to place. Kluge establishes rules for using the “virtual camera” and thus contributes to a debate on how AI should be handled. In a series of stories combining images and text—ranging from cases of phantom pregnancy in East Germany via Philemon and Baucis to the mercenary Yevgeny Prigozhin—he examines how the “virtual camera” opens up a space in which stories can be told and imagined in a new way.
Alexander Kluge (b. 1932 in Halberstadt) is a screenwriter, film and TV producer, writer, philosopher, and one of the most influential exponents of New German Cinema.
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Alexander Kluge: Der Konjunktiv der Bilder
Alexander Kluge: Der Konjunktiv der Bilder
Meine virtuelle Kamera (K.I.)
480 pp.
with 10 black-white and 288 colour illustrations
thread-sewn hardcover
Leipzig June, 2024
ISBN: 9783959058360
Width: 9 cm
Length: 14 cm
Language(s): German
Author
Alexander Kluge
Designer
Wolfgang Schwärzler
